When you buy products through links across our site, we may earn an affiliate commission. But due to the situation in the world at the moment, Apogee keeps postponing the arrival of the new Symphony Desktop. Sure Apogee or Slate depend solely on native DSP but that's a benefit. So far I'm getting 1.7ms roundtrip latency with Element running a mix with 30 stereo tracks each with Acustica 4k pre, Waves 4k channel e, equilibrium eq, and fabtilter EQ, 3 aux stereo tracks with 3 different reverbs and slate virtual mix buss. Ideal for the producer, engineer or musician, Element 88 gives you all the I/O you need to record drums or a full band. I know a lot of writers and producers for that matter, using apollo twins in Nashville. Professional audio spec's require significant power, so you're not likely to see many bus powered interfaces, other than intro-level grab-n-go 2x2 interfaces. To me it really comes down to features. Summary. Got a 24 for under 500 for my mobile rig and there was no way I was going to get anything less than a Duo, so I saved a few hundred bucks. I have used Apogee gear and their plugins. There's a reason a lot of us have spent the money on UAD, the plugins sound phenomenal. Apogee Element 46 으로 녹음된 Zane Carney 'Better Man' - Duration: 2:08. Would I be able to run two, maybe three plugins through the processor on the unit? It just looks like a great piece of gear. I've been to plenty of UAD-centered studios, have heard/used countless UAD plugs on mixes and, in 2017, there really isn't much that doesn't have a native equivalent. I bought a used Apogee Element in the fall and was shocked with how good it sounded compared to my Apollo 8. I'm not running an octo and I run multiple instances of their best plugins and it's "worth it", whatever that means. The market for home recording studios or small studios is simply overflown with options of gear in an affordable range that can yield professional sounding records – if driven by the right hands. If you asked me two months ago, I had my mind set on selling my new Apollo Twin X and getting the Apogee Symphony Desktop. The Thunderbolt version is a significant qualitative step increase vs the Firewire version. Plus, zero latency when recording. There's AB tests out there that prove subjective opinions? I’ll be looking at having my setup complete, once we enter fall/winter, and I just son’t want to do that. I've been wrestling with the same conflict, albeit at the lower tier: Apogee Duet vs. Apollo Twin. Like many people have pointed out here, the audio quality you get from Element (or any other Apogee interface) is far superior to UA interfaces. We have talked a great deal about the UA Apollo and Arrow range on the Expert sites over the years. Is it low enough to track through the daw without any perceivable latency? Whether or not the OP is needs or wants those plugs is up to him decide, which is why I advised him to listen to plugins and decide himself. That's in addition to having additional tracks for the instrumental production as well. Based on what they tell me, their plugins are great, and the unit itself is easy to work with! I doubt either one is gonna make anyone say, "really wish I bought the other." However, the Duet uses USB rather than Thunderbolt, and doesn’t have the same two-stage microphone preamps as the Element 24. With no inserts at all, the Apollo is much smoother then then MOTU. Haven't used UA Apollo Twin X Quad myself, but I have friends (both professional and amateur) who use UA. Read honest and unbiased product reviews from our users. The thing that bothers me the most is how they are perceived to sound exactly like their analog counterparts because they are "modeled" after them when in reality they don't even come close. FW800 - and they got flakier and flakier as Apple switched over to thunderbolt. I'm about to setup a portable rig myself and it's between the apollo and element as well for me. I didn’t know that about the UA plugins vs Apogees. Apogee Element 24 vs. UA Apollo Twin MkII Duo - Please Help! Sounds trivial, but it is a luxury. with various slate eq and compression and limiter. And I’m quite certain that, once I get close to the ‘new’ deadline of it’s arrival, it’ll be delayed once again. I switched to Apogee Elements and the converters were surprisingly higher sound quality. Maybe I just leave the order as is, and try and get a cheap little interface, so I can at least start working with my monitors. I am actually losing interest in even getting it, because I need an interface, or else my whole setup just sits there. I can say the Element sounded better than the Apollo and the Symphony is supposed to sound even better than that. Apogee Quartet. In the end, I went with the Element. Apogee Element 24 vs. UA Apollo Twin MkII Duo - Please Help! The noise floor alone at that convention would make it impossible to properly gauge anything, even with headphones. Comparison of Apogee Element 88 and Apogee Ensemble based on specifications, reviews and ratings. Since the audio interface is generally at the core of a recording studio, we decided to take a look at two contenders which have a lot of traction in the market: the RME Babyface Pro and the Universal Audio Apollo Twin mkII. You are sacrificing plugin quality by not going with UAD. Popular comparisons. Either way, if you can't produce quality results it, will not be because of the apollo or element. After reading about Apogee’s new Thunderbolt version I contacted my longtime sales rep, Nate Edwards, to discuss the product. The appeal of the Element to me is that I could conceivably get another Element to increase the number of available inputs. Thunderbolt 3 carries 100 watts of power in both directions with 40gb per second of bandwidth so we should be blown away by the next generation offerings. The thing I dislike the most is having to plug in to an electrical outlet. That's what surprised me the most about using thunderbolt. With mic pre controls right in the Channel strip, the Apogee-exclusive Direct button that magically eliminates latency, and unique support for DualPath plugins, the Element 88 – Logic Pro system offers integration that other systems can only dream of. Element 24 is a 10 IN x 12 OUT Thunderbolt audio interface perfect for the independent musician who wants the best sound quality and lowest latency. The 140/250 combo just blends in. The Element Series takes the best of cutting-edge Apogee gear like Symphony I/O Mk II, Ensemble Thunderbolt and Groove and puts it into simple form factors. A place to share home recording studios, discuss tips and techniques that apply to recording in home environments, and share music made in home studios. I wanted to get a 2 channel interface, keep my Apollo 8 and link the two. Apogee Quartet vs Universal Audio Apollo Twin Duo. In my situation, I can have the best of both if I hold onto my Apollo 8. Uad diehards really think uad plug ins are the absolute best. The new Apollos are dope. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. I pulled the trigger, sold the Element and bought the Apollo Twin X. I was recently on the hunt for a new interface for my new MacBook Pro 16", since my Apogee/Pro Tools Duet wasn't jiving with the whole Catalina 64 bit thing. New comments cannot be posted and votes cannot be cast, More posts from the homestudios community. This is not being accomplished with DSP, AFAIK, or at least not in the sense that the Apollo uses DSP. Press J to jump to the feed. Hey there! To the best of my knowledge, none of the Thunderbolt audio interfaces are bus powered. If I was invested in UAD or was really jones'ing for a certain plug, I'd get it. People choose not to go UAD for various reasons but I've never heard anyone cite the quality of the plugins as the reason for NOT going UAD. Read Amazon Customer reviews for the Apogee Element 24. And what are your thoughts on these two interfaces? Having been an Apogee user for many years (Ensemble + Duet FW) and now needing a new interface, I'm in a similar position as the OP. Absolultely! When I was deciding I narrowed it down to the Presonus Quantum 2626, Apogee Element 24, or UA Apollo Twin X Duo. Apogee, Lynx, and Focusrite have managed to get below 1ms latency with their Thunderbolt (and PCIe in the case of Lynx) interfaces. This is all barely hitting 3% of my cpu on a 2015 macbook pro i7 16gb ram. Intel's stipulations for power management are rigorous, and unfortunately not clearly spelled out. and no perceivable latency at all - so that it sounds like they are tracking through hardware? Seems like OP has ended the discussion with his decision, but I'll chime in real quick since I just had the same debate. A good mix will sound great on both and a bad one will be obvious on either. I am trying to get a feel for the discernable audio differences from any folks who have used both. Element 88 user, and a friend to many many Apollo users. It's like asking Stephen Hawking to pick out which of two bicycles he prefers. I struggled with this but came down on the opposite side, after reviewing the Element 24, because I already have a UAD-2 Quad pci-e in a Thunderbolt chassis. The product is delayed and in the meantime UA releases Luna. Satin, Waves, Slate, etc all have their place to shine. To the best of my knowledge, even though TB3 has 100 Watts of available power, it's distributed across any/all bus controller chips and only supplies 15 Watts downstream. Plus, I hate the stupid breakout snake for connectivity. I was using a convolution in the motu, which sounded added on. To say one or the other definitively sounds better would be kinda pointless. The Apollo Twin X is awesome, but not any better than my Apollo 8. In the studio I've recorded vocals through outboard running to Symphony MK1 with thunderbolt bridge to macbook pro with super low latency. Apogee Element actual specs better but I bought into UA workflow, exclusive plugins, software development aptitude and breadth of support resources (such as the UA user forum). Hopefully the Symphony will be out by then- also in the same both as y’all. Duet RME BabyFace Pro Audient iD22 Focusrite Scarlett 18i8 Apogee Duet 2 RME Fireface UC Apogee Ensemble RME Fireface UCX Apogee Element 24. As usual, Nate provided a detailed first hand perspective on the Ensemble Thunderbolt and I decided to make the switch. Can you track a vocalist monitoring through the daw with compression etc. Press question mark to learn the rest of the keyboard shortcuts. Universal Audio Apollo Quad. Launched in 2016, the Apogee Digital Element series has become a popular interface choice, thanks to high-quality conversion, an innovative app/software and impressive preamps. The shootout was done between the Focusrite Clarett 8preX, the Apogee Ensemble and the UAD Apollo 8p. Apogee is a company that needs no introduction in the audio interface industry. I feel I’d be better off waiting for the Symphony Desktop to be shipped. The Thunderbolt version is a significant qualitative step increase vs the Firewire version. Lots of UA users reporting preamp noise as well, which just seems ridiculous for the price you’re charged. The Element 24 has a similar configuration as the Apogee Duet, at a similar price, and the Duet has greater portability and does come with physical controls built-in. Here is my take. Some are just using it for their portable rig, some are using them for everything. I recently asked elsewhere about different pieces of gear I’m looking at for my home studio setup, and briefly settled on the Symphony Desktop ( although I also briefly settled on the Duet, but fell in love with the idea of being able to use onboard DSP with plugins for live streaming smaller solo gigs). Popular comparisons. It was Ensemble vs Apollo. Haven’t used my monitors, and won’t be able to, until the interface is here. Apogee Quartet vs Universal Audio Apollo Quad. It’s a bit of a bummer, but oh well. If he likes the way they sound, the only way to get that sound in a plugin is with UAD. 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